Viele sagen er" klingt digital". Ich allerdings glaube das es einfach so ist heutzutage. Es klingt einfach viel sauberer und konstanter und man hat auch nicht große Serientoleranzen also da klingt nicht ein synth (selbes model) anders als der andere . Mit seinen Vor und Nachteilen. Das ist analog 2.0. Fast so clean wie Digital. Selbst ein Minitaur klingt sehr Sauber verglichen mit früheren synths. Zumindest in meinen Ohren.
Die Effekte können auch den Sound kühler machen sie sind ja nicht analog da wird das analoge Signal im Prologue umgewandelt von A/D zu D/A ...apropo Effekte da gibt es ja eine Menge im Prologue
http://cdn.korg.com/us/support/download/files/9317b94261e53e700b0145502850edc2.pdf?response-content-disposition=inline;filename*=UTF-8''prologue_OM_E1.pdf&response-content-type=application/pdf;
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SUB TYPE
Stereo
A stereo delay with an expansive left-right eld.
Mono
A straight monaural delay.
Ping Pong
A ping-pong delay that bounces back and forth from left to right.
Hi Pass
A delay with a high-pass lter on which the low frequency band fades out.
Tape
Simulates a tape echo.
One Tap
A delay without feedback, on which the delay sounds only once.
Stereo BPM
A stereo delay on which the delay time is synced to the TEMPO bu on se ings.
Mono BPM
A monaural delay on which the delay time is synced to the TEMPO bu on se ings.
Ping BPM
A ping-pong delay on which the delay time is synced to the TEMPO bu on se ings.
Hi Pass BPM
A high-pass delay on which the delay time is synced to the TEMPO bu on se ings.
Tape BPM
A tape echo on which the delay time is synced to the TEM- PO bu on se ings.
Doubling
A short delay with a doubling e ect.
Hall
A hall-type reverb that simulates the reverberations of a midsize concert hall or ensemble hall.
Smooth
A clear reverb with a sustaining high end.
Arena
A reverb that evokes the feeling of a spacious area like a stadium.
Plate
A warm-sounding (wet) plate reverb.
Room
A reverb that simulates the reverberations of a small room.
Early Ref
A reverb that emphasizes the brighter initial re ections than the lingering echoes.
Space
An unstable reverb reminiscent of being in space.
Riser
A shimmering reverb that echoes one octave higher.
Submarine
A deep reverb that echoes one octave lower.
Horror
A reverb with a highly unstable tonal quality.
EFFECT TYPE
SUB TYPE
MOD
Chorus
Stereo
A stereo chorus e ect that varies the input signal to create a thicker or warmer sound.
Light
A chorus e ect with lighter modulation than the stereo type.
Deep
A chorus e ect with heavier modulation than the stereo type.
Triphase
An e ect with three choruses, each with di erent LFO phases.
Harmonic
A chorus with slightly emphasized overtones.
Mono
A monaural chorus.
Feedback
A chorus that uses feedback to create an e ect similar to a short delay.
Vibrato
Produces a vibrato (wavering) e ect.
Ensemble
Stereo
An LFO-driven e ect with an intricate wavering sound. Pro- duces a spatially deep and expansive ensemble e ect.
Light
An ensemble e ect with lighter vibrato than the stereo type.
Mono
A monaural ensemble e ect.
Phaser
Stereo
Alters the phase of the sound to give the sound a swelling e ect.
Fast
A phaser e ect that swells faster than the stereo type.
Orange
An e ect that models a popular analog phaser in an orange box.
Small
An e ect that models the classic New York phaser sound from the 1970s.
Small Reso
A small-type phaser sound with strong peak components.
Black
An e ect modeled after the phaser sounds from Denmark with a wide dynamic range.
Formant
A phaser derived from the sound of the human voice.
Twinkle
A phaser that creates a twinkling (sparkly) sound.
Flanger
Stereo
An e ect that creates a thick swelling sound and a sense of motion in pitch.
Light
A anger with a thinner e ect than the stereo type.
Mono
A monaural anger.
High Sweep
A anger that sweeps through the high-frequency bands.
Mid Sweep
A anger that sweeps through the mid-frequency bands.
Pan Sweep
A anger that pans from left to right.
Mono Sweep
A monaural sweeping anger.
Triphase
A anger featuring the e ect of three LFOs.
(USER)
This e ect is not installed at factory-set default, so it cannot be selected. Up- load a user e ect in order to select. See the “prologue user contents guide” (
www.korg.com) for details.
