Neues OS 1.2 kann einiges mehr:
New wavetables
Massively increasing the range of Peak’s sonic palette, 43 new wavetables have been added to the Oscillator Wave menus.
Additional modulators
Peak 1.2 adds two freely assignable, non-voice-specific LFOs (bringing the total to four) to the Mod Matrix and new FX Matrix. Pitch-Bend is now also available as a modulation source, with Up (BendWhl+) and Down (BendWhl-) assignable as separate signals if required.
New Mod Matrix design
Workflow is greatly accelerated with Peak 1.2's updated Mod Matrix design, as sources and destinations are presented on the same page – no more toggling between them to make and edit assignments. And as a knock-on benefit, the Page button now enables quick access to all 16 modulation slots.
FX Mod Matrix
You demanded, Novation delivered! Peak 1.2 lets you route non-voice-specific modulation sources to Peak’s FX parameters in the new four-slot FX Mod Matrix. Now you can, for example, expand and contract a reverb with a rhythmic LFO, or automate delay time changes using an envelope.
New envelope features
Speaking of envelopes, Peak 1.2’s ADSRs sees the addition of a Hold stage (up to 500ms) and the ability to loop between the Attack and Decay stages. For many, this game-changing improvement alone will be reason enough to upgrade.
Initialise Manual Mode
Peak 1.2 gives you the option of maintaining the current positions of all knobs and sliders when the Initialise button is pressed, rather than resetting their parameters to defaults – ideal for getting instantly hands-on with new patches, and creating random ones from scratch. The previous behaviour can be reinstated in the Settings menu, of course, for those who prefer it.
Microtuning
Peak 1.2 also adds support for microtuning. 16 Tuning Tables can be edited and saved for recall within any patch, and automatic note selection makes MIDI note-to-pitch assignment a snap.