Lilith 93 - Tracks
- Ersteller Lilith93
- Erstellt am
D
danielrast
Guest
Das Ergebnis gefällt mir sehr gut, aber, #techno bei Soundcloud?! Für mich ist das DUB, dass würde ich nicht dem Techno Etikett "abwerten" wollen. 
Dub Techno Stücke gibt es zig tausende, Millionen....
Dub Techno Stücke gibt es zig tausende, Millionen....
marco93
Shnitzled in the Negev
Danke. Ich vergesse immer, dass man das ja selbst definieren kann.Das Ergebnis gefällt mir sehr gut, aber, #techno bei Soundcloud?! Für mich ist das DUB, dass würde ich nicht dem Techno Etikett "abwerten" wollen.
Dub Techno Stücke gibt es zig tausende, Millionen....
Dub ist es fuer mich nicht, da fehlt der Dub Spirit.
Christoph1972
Subharmoniconized
Sehr schön! 
marco93
Shnitzled in the Negev
Lilith 93, an enigmatic figure in the underground electronic music scene, was known to few but revered by those who discovered her. A prodigious talent emerging from the shadows of Berlin's industrial district, her music pulsed with a raw, haunting energy that felt both timeless and futuristic. Lilith, who kept her real identity shrouded in mystery, had been producing music since she was a teenager, drawing inspiration from the eerie, dystopian landscapes of her dreams.
In the early 2020s, Lilith 93’s tracks began circulating in the deepest corners of the internet. Her compositions were an otherworldly blend of fractured rhythms, distorted synths, and ghostly melodies. It was music that seemed to speak to the alienated and the lost, resonating with the subconscious fears and desires of the digital age. The few who stumbled upon her work were captivated, but it remained a well-guarded secret, a treasure for those who dared to dive into the abyss of experimental electronic sound.
Among those who discovered Lilith 93 was none other than Aphex Twin, the legendary pioneer of electronic music, known for his boundary-pushing compositions and elusive persona. Aphex Twin, or Richard D. James as he was known offstage, had a reputation for being incredibly selective about the music he endorsed. But when he first heard Lilith 93’s tracks, something about them struck a chord deep within him. It was as if he had found a kindred spirit, someone who understood the chaotic beauty that could be crafted from the collision of sound and silence.
Richard reached out to Lilith in the only way he knew how—through an anonymous email, cryptic and brief. Lilith, who had long admired Aphex Twin, was stunned when she realized who was behind the message. They began exchanging music, ideas, and thoughts on the state of electronic music. The connection between them was instant and profound, fueled by their shared passion for pushing the limits of what music could be.
As they continued their correspondence, Aphex Twin became increasingly impressed by Lilith’s work. Her compositions had a depth and complexity that reminded him of his own early experiments, yet there was something uniquely her own in the way she manipulated sound. It wasn’t long before Richard made a startling admission to Lilith during one of their late-night exchanges.
“You know,” he wrote, “your music, it’s something else. I haven’t heard anything this fresh in years. Honestly, it’s better than Silke F.”
Silke F. was another rising star in the electronic music scene, known for her innovative approach to sound design and intricate, cerebral compositions. She had garnered significant attention and was often compared to the greats of the genre. For Aphex Twin to say that Lilith 93’s music surpassed Silke F.’s was nothing short of monumental.
Lilith was both shocked and humbled by the compliment. She had always admired Silke F., considering her a pioneer in her own right. But to hear that her music resonated more with someone like Aphex Twin, a legend she had looked up to for years, was beyond anything she had ever imagined.
Aphex Twin’s endorsement of Lilith 93 didn’t remain a secret for long. Word began to spread in underground forums and among music aficionados. Soon, Lilith 93 was no longer just an obscure artist known only to a select few. Her music began to reach a wider audience, with many eagerly awaiting her next release, each track met with anticipation and excitement.
Despite the growing recognition, Lilith 93 remained as enigmatic as ever, rarely giving interviews or revealing much about her personal life. She preferred to let her music speak for itself, continuing to create with the same intensity and passion that had caught Aphex Twin’s attention in the first place.
In the end, Lilith 93’s legacy wasn’t just about the music she created but also about the connections she forged with those who truly understood her art. And in the ever-evolving world of electronic music, she had found a place among the greats, with the blessing of Aphex Twin himself.
Source: w6w6w6
In the early 2020s, Lilith 93’s tracks began circulating in the deepest corners of the internet. Her compositions were an otherworldly blend of fractured rhythms, distorted synths, and ghostly melodies. It was music that seemed to speak to the alienated and the lost, resonating with the subconscious fears and desires of the digital age. The few who stumbled upon her work were captivated, but it remained a well-guarded secret, a treasure for those who dared to dive into the abyss of experimental electronic sound.
Among those who discovered Lilith 93 was none other than Aphex Twin, the legendary pioneer of electronic music, known for his boundary-pushing compositions and elusive persona. Aphex Twin, or Richard D. James as he was known offstage, had a reputation for being incredibly selective about the music he endorsed. But when he first heard Lilith 93’s tracks, something about them struck a chord deep within him. It was as if he had found a kindred spirit, someone who understood the chaotic beauty that could be crafted from the collision of sound and silence.
Richard reached out to Lilith in the only way he knew how—through an anonymous email, cryptic and brief. Lilith, who had long admired Aphex Twin, was stunned when she realized who was behind the message. They began exchanging music, ideas, and thoughts on the state of electronic music. The connection between them was instant and profound, fueled by their shared passion for pushing the limits of what music could be.
As they continued their correspondence, Aphex Twin became increasingly impressed by Lilith’s work. Her compositions had a depth and complexity that reminded him of his own early experiments, yet there was something uniquely her own in the way she manipulated sound. It wasn’t long before Richard made a startling admission to Lilith during one of their late-night exchanges.
“You know,” he wrote, “your music, it’s something else. I haven’t heard anything this fresh in years. Honestly, it’s better than Silke F.”
Silke F. was another rising star in the electronic music scene, known for her innovative approach to sound design and intricate, cerebral compositions. She had garnered significant attention and was often compared to the greats of the genre. For Aphex Twin to say that Lilith 93’s music surpassed Silke F.’s was nothing short of monumental.
Lilith was both shocked and humbled by the compliment. She had always admired Silke F., considering her a pioneer in her own right. But to hear that her music resonated more with someone like Aphex Twin, a legend she had looked up to for years, was beyond anything she had ever imagined.
Aphex Twin’s endorsement of Lilith 93 didn’t remain a secret for long. Word began to spread in underground forums and among music aficionados. Soon, Lilith 93 was no longer just an obscure artist known only to a select few. Her music began to reach a wider audience, with many eagerly awaiting her next release, each track met with anticipation and excitement.
Despite the growing recognition, Lilith 93 remained as enigmatic as ever, rarely giving interviews or revealing much about her personal life. She preferred to let her music speak for itself, continuing to create with the same intensity and passion that had caught Aphex Twin’s attention in the first place.
In the end, Lilith 93’s legacy wasn’t just about the music she created but also about the connections she forged with those who truly understood her art. And in the ever-evolving world of electronic music, she had found a place among the greats, with the blessing of Aphex Twin himself.
Source: w6w6w6
Zuletzt bearbeitet:
Klanglager
Snaredrumfetischist
Tausch das Profilbild jetzt mal gegen einen unrasierten Bierbauch aus 
Wofür macht er das, er hat mehrere solcher Profile?
Wofür macht er das, er hat mehrere solcher Profile?
marco93
Shnitzled in the Negev
Er hat mir sogar geschrieben.Tausch das Profilbild jetzt mal gegen einen unrasierten Bierbauch aus
Wofür macht er das, er hat mehrere solcher Profile?
Klanglager
Snaredrumfetischist
Er soll einfach Geld schicken.
Klanglager
Snaredrumfetischist
sehr pyongyanglastig
marco93
Shnitzled in the Negev
Die Kick knallt noch zu stark im Auto (aber komischerweise auch nur da). Sonst bin ich wieder mal erstaunt, wie gut SunVox klingt.
Zuletzt bearbeitet:
olutian
arschimov
respekt! edit - hab den track auf deiner seite gefunden. ist ja schon ein jahr alt, der upload.
chillige nummer.
Zuletzt bearbeitet:
Klanglager
Snaredrumfetischist
Gerade mit dem Original verglichen. Hast Du sehr cool umgesetzt!
marco93
Shnitzled in the Negev
Danke, das Original war mir zu chiptunelastigGerade mit dem Original verglichen. Hast Du sehr cool umgesetzt!
News
-
-
News SequencerTalk 233 PolyEnd Synth, Fors Dyad, Dreadbox Artemis, Updates, Mac, GliGli Synth
- Gestartet von Moogulator
- Antworten: 0
-
News Drums, Steuerung, away from keyboard - afk drumbeam - Talk und Synthnews im SequencerTalk 222
- Gestartet von Moogulator
- Antworten: 1
-
Ankündigung: "SynMag Sonderausgabe 02: Inspiration" erscheint am 21.11.- Gestartet von Björn
- Antworten: 0
-
News Wie multi poly bist du? SequencerTalk 221 heute um 20:30 live
- Gestartet von Moogulator
- Antworten: 1
-
Apple Updatewoche iMac, MacBook Pro und kleinerer Mac Mini mit M4 (bis Max) - Leistungsvergleich DAWs und Musik welche ist am besten?
- Gestartet von Moogulator
- Antworten: 105