tomcat
..
Von Grant aus der Mailingliste:
Ich finde es schade das er nicht mit den 1200ern weitermacht. Dafür gibts die 300er wieder offiziell
---cut---
Grant Richter :
I'm have put the 300 series back in full production.
The 1200 series is still available until I use up the existing parts. I plan to
port the 1200
series design into 300 series packaging eventually. The Joystick and JAG will
stay just as
they are. It would make no sense to have those in 300 series cases.
The 300 series was never completely out of production, but I had switched my
main
efforts to the Frac-Rac format. I now think that was a mistake. I didn't want to
go head to
head with Don over the 200e, but now the Buchla product is mature enough that I
feel OK
placing my emphasis on the 300 series again. I wanted Don to succeed with the
200e.
Musical instruments is a field where if one company "defeats" another company,
the whole
culture loses out.
John Simonton intended the Frac-Rac format to be economical. John Blacet has
done a
absolutely brilliant job of executing designs in that format. But the Frac-Rac
doesn't have
the inherent infrastructure for the highest grade professional instruments. That
is not to
take away from the great modules already designed, or question the quality of
theose
instruments. A Blacet instrument is a superb economical instrument.
In my opinion the Frac-Rac aluminum is too light weight and the lack of fully
shielded
enclosures keeps them from achieving extremely low electrical noise. Because of
that, I
don't feel Frac-Rac modules should cost over $300 tops. That price point places
a limit on
the complexity of designs. To summerize, I like the Frac-Rac format a lot, and I
admire the
instruments already in that format. But it has become a limitation for new Wiard
designs.
I am hoping for some customer feedback. The goal of the 300 series is to have 12
unique
module designs, there are currently 8. These 8 modules already do almost every
kind of
synthesis known to mankind, so designing 4 new modules is no easy task. The
Envelooper
is one new design for certain.
What additional features would you like to see in the 300 series? Feel free to
speculate,
there are no stupid ideas. (Well, adding a Moog style transistor ladder filter
is a stupid
idea, the Boogie filter already blows that thin sounding design away).
Ich finde es schade das er nicht mit den 1200ern weitermacht. Dafür gibts die 300er wieder offiziell
---cut---
Grant Richter :
I'm have put the 300 series back in full production.
The 1200 series is still available until I use up the existing parts. I plan to
port the 1200
series design into 300 series packaging eventually. The Joystick and JAG will
stay just as
they are. It would make no sense to have those in 300 series cases.
The 300 series was never completely out of production, but I had switched my
main
efforts to the Frac-Rac format. I now think that was a mistake. I didn't want to
go head to
head with Don over the 200e, but now the Buchla product is mature enough that I
feel OK
placing my emphasis on the 300 series again. I wanted Don to succeed with the
200e.
Musical instruments is a field where if one company "defeats" another company,
the whole
culture loses out.
John Simonton intended the Frac-Rac format to be economical. John Blacet has
done a
absolutely brilliant job of executing designs in that format. But the Frac-Rac
doesn't have
the inherent infrastructure for the highest grade professional instruments. That
is not to
take away from the great modules already designed, or question the quality of
theose
instruments. A Blacet instrument is a superb economical instrument.
In my opinion the Frac-Rac aluminum is too light weight and the lack of fully
shielded
enclosures keeps them from achieving extremely low electrical noise. Because of
that, I
don't feel Frac-Rac modules should cost over $300 tops. That price point places
a limit on
the complexity of designs. To summerize, I like the Frac-Rac format a lot, and I
admire the
instruments already in that format. But it has become a limitation for new Wiard
designs.
I am hoping for some customer feedback. The goal of the 300 series is to have 12
unique
module designs, there are currently 8. These 8 modules already do almost every
kind of
synthesis known to mankind, so designing 4 new modules is no easy task. The
Envelooper
is one new design for certain.
What additional features would you like to see in the 300 series? Feel free to
speculate,
there are no stupid ideas. (Well, adding a Moog style transistor ladder filter
is a stupid
idea, the Boogie filter already blows that thin sounding design away).
