Tom der Wessi
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hat das noch eine Firma genutzt... damals ? korg ?
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VEB_soundengine schrieb:habs schon gefunden.. danke und aus.
DIN Sync
Roland and Korg both used an interface known as DIN Sync for synchronizing drum machines and sequencers. DIN Sync is named for the 5-pin DIN connector used; it's the same connector used for MIDI, but DIN Sync is an entirely analogue interface and, of course, is not at all compatible with MIDI. DIN Sync provided a basic 24 or 48 pulse-per-quarter-note (ppqn) signal, as well as start/stop controls. Roland's DIN Sync machines used a 24ppqn clock, and include the TB-303 (input only), TR-606, TR-808, CR-8000, MC-202, and TR-909 (input only). Korg equipment such as the DDM-110, DDM-220, and KPR-77, however, used a 48ppqn clock. If you sync Korg and Roland together, the Korg will run at half speed.
A number of machines exist that can convert between MIDI clocks and DIN Sync clock. The Korg KMS-30 has MIDI in/out, Sync in/out, and tape in/out. Any of the three can be the master clock, and the Sync connections are all switchable between 24ppqn and 48ppqn. The Roland MSQ-100 and MSQ-700, though both intended primarily as sequencers, can both convert between MIDI and Sync clock. The Roland SBX-10 and SBX-80 are both intended as dedicated sync boxes and offer more features. Kenton's Pro-4 also outputs DIN Sync clocks from a MIDI signal. Garfield also made dedicated sync boxes; the Masterbeat, for example, offers a bewildering variety of sync options.