Radikal Spectralis: Unterschied zwischen den Versionen
(→VCO) |
(new Tips & Tricks added) |
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==Tips & Tricks== | ==Tips & Tricks== | ||
=== quick switch between 2 different OSC pages=== | |||
<nowiki> you can switch directly between two OSC pages using the [OSC WAVE] & MACRO CTRL encoder</nowiki><br> | <nowiki> you can switch directly between two OSC pages using the [OSC WAVE] & MACRO CTRL encoder</nowiki><br> | ||
<nowiki>[OSC WAVE] memorizes the last selected page</nowiki><br> | <nowiki>[OSC WAVE] memorizes the last selected page</nowiki><br> | ||
| Zeile 22: | Zeile 22: | ||
Sometimes an Encoder memorizes two pages - needs further investigation and description | Sometimes an Encoder memorizes two pages - needs further investigation and description | ||
=== shorten a motif=== | |||
<nowiki>press [MOTIF] and then display encoder [EDIT] <br> | <nowiki>press [MOTIF] and then display encoder [EDIT] <br> | ||
the following display page allows you to change the length & loop type of a motif | the following display page allows you to change the length & loop type of a motif | ||
</nowiki> | </nowiki> | ||
=== Init Sound === | |||
<nowiki>[SHIFT]+[SET ROUTING] intializes the H-Synth Part. <br> | |||
You don't hear anything afterwards, because alle TriggerGroups are cleared. Hold down [12/Analog Synth] while in Part Select Mode to enter the TriggerGroup Pages, then use the Page Keys to access the TriggerGroup assign Pages. | |||
Assign all Elements to TG1 for a normal H-Synth Sound.</nowiki> | |||
===How to use different FX Send Levels for MM Filter, LP Filter and Filterbank=== | |||
Beside the H-Synth global FX1 Send accesible via [FX1-SEND] there are different FX1 Send controls for MM Filter, LP Filter and the Filterbank. | |||
The Send for MM & LP Filter can be found in the [EG DEPTH] menu page 5&6. The Filterbank FX1 Send has a dedicated knob [FB>FX1/12]. | |||
<br><br> | |||
Different FX Levels are usefull if you have multiple TriggerGroup, for example a dry LP Bass Sound, a MM Lead Sound with medium delay and a Filterbank with lots of delay. | |||
=== LFOs have no effect=== | |||
The the [MOD DEPTH] of the global LFOs must be > 0, because the mod depth is the master Level control for a global LFO. | |||
The Voice/Filter LFOs only work as a mod source if their original Amount is > 0.<br> | |||
Example : You can only modulate TLM of OSC1 with the LP Filter LFO if the LP Filter LFO has a Mod Depth > 0 | |||
=Display Reference= | =Display Reference= | ||
Version vom 4. Mai 2008, 11:31 Uhr
Radikal Technologies Spectralis Groovebox / Sequencer
features
- Hybrid Synth with 4 OSCs & Moog style analog 24 dB LP Filter and 12 dB analog Multimode Filter (4 Filter Types)
- 192th resolution chase light sequencer that can handle independent Tracks (back & forth) and Trigger little "Track Envelopes" as a Modulation Source.
- Filterbank
- Samples 96MB
features - deutsch
- 192tel Auflösung des Lauflicht-Sequencers
- Hybrid Synthesizer mit Moog Filter Kaskade
- Filterbank
- Samples 96MB
Tips & Tricks
quick switch between 2 different OSC pages
you can switch directly between two OSC pages using the [OSC WAVE] & MACRO CTRL encoder
[OSC WAVE] memorizes the last selected page
[MACRO CTRL] memorizes any page between 10 and 26
Sometimes an Encoder memorizes two pages - needs further investigation and description
shorten a motif
press [MOTIF] and then display encoder [EDIT] <br> the following display page allows you to change the length & loop type of a motif
Init Sound
[SHIFT]+[SET ROUTING] intializes the H-Synth Part. <br> You don't hear anything afterwards, because alle TriggerGroups are cleared. Hold down [12/Analog Synth] while in Part Select Mode to enter the TriggerGroup Pages, then use the Page Keys to access the TriggerGroup assign Pages. Assign all Elements to TG1 for a normal H-Synth Sound.
How to use different FX Send Levels for MM Filter, LP Filter and Filterbank
Beside the H-Synth global FX1 Send accesible via [FX1-SEND] there are different FX1 Send controls for MM Filter, LP Filter and the Filterbank.
The Send for MM & LP Filter can be found in the [EG DEPTH] menu page 5&6. The Filterbank FX1 Send has a dedicated knob [FB>FX1/12].
Different FX Levels are usefull if you have multiple TriggerGroup, for example a dry LP Bass Sound, a MM Lead Sound with medium delay and a Filterbank with lots of delay.
LFOs have no effect
The the [MOD DEPTH] of the global LFOs must be > 0, because the mod depth is the master Level control for a global LFO.
The Voice/Filter LFOs only work as a mod source if their original Amount is > 0.
Example : You can only modulate TLM of OSC1 with the LP Filter LFO if the LP Filter LFO has a Mod Depth > 0
Display Reference
Analog Synth
VCO
via [OSC WAVE] or [MACRO CTRL]
Page 1/26 VCO Shape ^Osc1 ^Osc2 ^Osc3 ^Osc4
Oscillator Waveform Selection
0=Sine, 64=Triangle, 127=Sawtooth, 196=Rectangle
1/2:VCO? WAVE ^Shape:255 ^Tlm:100 Sync:0 (Sync OSC1 only) Ring:off (Ring OSC4 only)
Tlm = Time Linearity Modulation kind of Pulse Width Modulation
Sync = Oscillator synchronisation adjustable between soft and hard sync
Ring = Ringmodulation
VCO ? Waveform Modulation Src1: Dpth1: Src2: Dpth2:
Waveform Modulation
Src1/2 : Modulation Source
Dpeth1/2 Modulation Depth
VCO ? Tlm Modulation Src1: Dpth1: Src2: Dpth2:
Time Linearity Modulation (Pulse with modulation for all waveforms)
Src1/2 : Modulation Source
Dpeth1/2 Modulation Depth
2/2:VCO? WAVE O3PM:0 O4PM:0 O3FM:0 O4FM:0 Osc3 & 4 can be used for either PhaseModulation (like yamaha FM) or real FM
O3/4PM : Phase Modulation Amount (like Yamaha FM) by Oscillator 3 or 4
O3/4FM : Frequency Modulation Amount (traditional FM) by Oscillator 3 or 4
2/26:VCO EG ^Osc1 ^Osc2 ^Osc3 ^Osc4
Oscillator Envelope macro - adjust ADSR Envelope with just one dial
Subpages see Envelopes Section which contains all AnalogSynth Envelopes
3/26:VCO FB Volume Osc1-4
Filterbank Feed Level
4/26:VCO MM Volume Osc1-4
12dB Multimode Filter Feed Level
5/26:VCO LP Volume Osc1-4
24dB LP Filter Feed Level
6/26:VCO FX1 Send Osc1-4
FX1 Send for each Oscillator - use for fm sounds that don't use a filter
7/26:VCO Bus Volume Osc1-4
Bus Volume Level - dry osc signal level
use for fm sounds without filter
8/26:VCO Bus Panning Osc1-4
Bus Panning - adjusts the paning of the
9/26:VCO EG Bypass Osc1-4
Oscillator Envelope Bybass Level - set to max to deactivate VCO EG
10/26:VCO1 TLM TlmM:0 TlmF:VCO? WaveM:0 WaveF:VCO?
TlmM - TimeLinearityModulation Modulation Amount
TlmF - TimeLinearityModulation Source
WaveM - WaveformModulation Amount
WaveF - WaveForm Modulation Source
Page 11-13 contain the same settings for VCO2-4
14/26:VCO1 Div1 Sync:0 Glide:0 Pitch:A3 Scale:12
Sync : Oscillator Synchronisation
Gilde : Glide Amount
Ptich : ???
Scale : ???
15/26:VCO2 Div1 Glide:0 Pitch:A3 Scale:12
Gilde : Glide Amount
Ptich : ???
Scale : ???
16/26:VCO3 Div1 Glide:0 Pitch:A3 Scale:12
Gilde : Glide Amount
Ptich : ???
Scale : ???
17/26:VCO1 Div1 Ring:OFF Glide:0 Pitch:A3 Scale:12
Ring: Ringmodulation between Osc 3 & 4 - Output replaces VCO4 Signal
Gilde : Glide Amount
Ptich : ???
Scale : ???
18/26:VCO1 Div2 Crush:0 Phs:0 FmDp:0 PMod:2
Crush : Bitcrusher Amount - creates distortion and alliazing
Phs : Start Phase 0 - free running Osc (like analog) , 1-100 fixed start phase for use with fm/pm sounds
Pages 19-21 contain the same settings for VCO2-4
22/26 Noise EG Feed FB:0 LP:0 MM:0 Bus:0
Noise Feed via Noise Envelope
FB : Noise to Filterbank
LP : Noise to Lowpass
MM : Noise to MultiMode Filter br>
Bus : Noise to Bus Amount
23/26 Noise Direct Feed FB:0 LP:0 MM:0 Bus:0
Direct Noise Feed - Trigger and Envelope independent
FB : Noise to Filterbank
LP : Noise to Lowpass
MM : Noise to MultiMode Filter br>
Bus : Noise to Bus Amount
24/26 VCO Key->Level ^Osc?:0
???
1/4:VCO1 KSL Pitch:C-3 Pitch:C-3 Pitch:C-3 KsSc:12 - explanation needed
???
2-4 contain the same settings for VCO2-4
25/26 VCO Vel->Level Osc?:0
???
26/26 VCO Phase Osc?:0
Collection of all Osc Phase settings that can also be found on the VCO Div2 pages
via [OSC DETUNE]
1/4 VCO Fine ^Osc1 ^Osc2 ^Osc3 ^Osc4
Osc1-4 fine tune amount
1/12 VCO Fine Tune Modulation KeyPt:0 RndPt:0 VibSp:0
2/12 VCO Pitch LFO LWve:0 LRte:0 LDpt:0
3/12 VCO Pitch Modulation Src1: Dph1: Src2: Dph2:
4-12 contain the same settings for VCO2-4
2/4 VCO Coarse ^Osc?:0
VCO Pitch Envelope Preset ^Osc?:0
1/4:VCO1 Pitch StPt:0 Time:0 Time:0 EndP:0
2-4 contain the same settings for VCO2-4
3/4 VCO Key Scale Osc?:0 - collection of all VCO Key Scale settings that can also be found on the VCO Div1 pages
4/4 VCO0 Pitch Mod PMod:0 PMod:0 PMod:0 PMod:0 - collection of all VCO PMod settings that can also be found on the VCO Div2 pages
via [GLIDE]
VCO Glide Glide:0 Glide:0 Glide:0 Glide:0
TODO - OSC Section Picture, Knob & Button modes
LFO
via [LFO WAVE]
Master LFO Wave Menu ^LWve:0 ^LWve:0 ^LWve:0 ^LWve:0 - LFO Waveform 0=Sine, 64=Triangle, 127=Sawtooth, 196=Rectangle, 255=S&H
1/4 Master LFO 1 Waveform Control LWve:0 LPhs:0
2-4 contain the same settings for LFO2-4
via [MOD DEPTH]
Master LFO Modulation Depth ^LDpt:0 ^LDpt:0 ^LDpt:0 ^LDpt:0
1/4 Master LFO 1 Depth Control LDpth:0 ^LEDp:0
2-4 contain the same settings for LFO2-4
1/4 LFO 1 Depth Control Envelope LEDl:0 LEAT:0 LERl:0 LEDp:0
2-4 contain the same settings for LFO2-4
via [MOD DEPTH]
Master LFO Rate Menu LRte:0 LRte:0 LRte:0 LRte:0
VCF
via [CUTOFF LP] or [RESO LP]
1/8 LP LFO FmWve:0 FmRte:0 FmDpt:0
2/8 LP LFO FmEDl:0 FmEDa:0 FmEDr:0 FmEdp:0
3/8 LP Depth EgAm:0 Kscl:12
4/8 Lowpass CutOff-Modulators Src1: Dph1: Src2: Dph2:
5/8 Lowpass Resonance-Modulators Src1: Dph1: Src2: Dph2:
6/8 LP Feed BusV:100 Pan:<C> FB:0 MM:0
7/8 LP FM Exp from LPFMX:0 LPFMX:0 LPFMX:0 LPFMX:0
8/8 LP FM Lin from LPFML:0 LPFML:0 LPFML:0 LPFML:0
via [CUTOFF MM] or [RESO MM]
1/7 MM LFO FmWve:0 FmRte:0 FmDpt:0
2/7 MM LFO FmEDl:0 FmEDa:0 FmEDr:0 FmEdp:0
3/7 MM Depth EgAm:0 Kscl:12
4/7 Multimode CutOff-Modulators Src1: Dph1: Src2: Dph2:
5/7 Multimode Resonance-Modulators Src1: Dph1: Src2: Dph2:
6/7 MM Feed BusV:100 Pan:<C> FB:0 MM:0
7/7 MM FM MMFMX:0 MMFMX:0 MMFMX:0 MMFMX:0
via [EG DEPTH]
1/6 MM EG Att:0 ^Dcy:12 Stn:104 Rls:23
2/6 LP EG Att:0 ^Dcy:12 Stn:104 Rls:23
3/6 MM Cutoff Att:0 ^Dcy:12 Stn:104 Rls:23
4/6 LP Cutoff Att:0 ^Dcy:12 Stn:104 Rls:23 5/6 LP Ctrl Exp:55 Reso:12 FX1:0 LPBP:0
6/6 LP Ctrl Exp:55 Reso:12 FX1:0 LPBP:0
VCA
via [VCA LEVEL]
Filter to Bus MM:232 LP:100 FB:0
via [FB BALANCE]
Filter Pan Pan:<C> Pan:<C>
via [EG BALANCE]
1/8 VCO1 EG Att:0 ^Dcy:12 Stn:104 Rls:23
2/8 VCO2 EG Att:0 ^Dcy:12 Stn:104 Rls:23
3/8 VCO3 EG Att:0 ^Dcy:12 Stn:104 Rls:23
4/8 VCO4 EG Att:0 ^Dcy:12 Stn:104 Rls:23
5/8 Noise EG Att:0 ^Dcy:12 Stn:104 Rls:23
6/8 MM12 Envelope Att:0 ^Dcy:12 Stn:104 Rls:23
7/8 LP24 Envelope Att:0 ^Dcy:12 Stn:104 Rls:23
8/8 FB Envelope Att:0 ^Dcy:12 Stn:104 Rls:23
Trigger Menu
via [ANALOG SYNTH] press for at least 2 seconds
1/4:S01:<Song01> PA01:<PattA01> Pa12 [Part12] [Part13] [Part14] [current]
2/4: Trigger-Group VCOs VCO1:TG1 VCO2:TG1 VCO3:TG1 VCO4:TG1
3/4: Trigger-Group Filter, Noise MM:TG1 LP:TG1 NSE:TG1 FB:TG1
4/4: Trigger-Group Note-Priority TG1:HIGH TG2:HIGH TG3:HIGH
Digital Synth
VCA
via [OSC WAVE]
OSC WAVE C:Category S:Subactegory SampleName [Init]
via [MACRO CTRL]
1/2: OSC Sample Playback Mode Start:0 StartM:0 Mode:Poly Detn:0
2/2: OSC Sample Playback Mode VDir:NORM
via [OSC DETUNE]
1/2 Voice Modulators Src1: Dph1: Src2: Dph2:
2/2 Voice Modulators Mw:0 Vel:0
LFO
via [LFO WAVE]
LFO Wave Menu Lfo1:12 Lfo2:121
via [MOD DEPTH]
LFO Depth Menu ^Lfo1:127 ^Lfo2:13
1/2 LFO 1 Depth Modifier Menu LEDl:0 LEAT:0 LERl:0 LEDp:0
2/2 LFO 1 Depth Modifier Menu LMWD:0
1/2 LFO 2 Depth Modifier Menu LEDl:0 LEAT:0 LERl:0 LEDp:0
2/2 LFO 2 Depth Modifier Menu LMWD:0
via [MOD RATE]
LFO Rate Menu Lfo1:14 Lfo2:56
VCF
via [CUTOFF LP] or [CUTOFF MM]
1/3:Filter Parameters Scale:12 Ptich:A3
2/3:Filter Cutoff Modulators Src1: Dph1: Src2: Dph2:
3/3:Filter Cutoff Modulators CoMw:0 CoVel:0S
via [RESO LP] or [RESO MM]
1/2:Filter Resonance Modulators Src1: Dph1: Src2: Dph2:
2/2:Filter Resonance Modulators RsMw:0 RsVel:0
via [EG DEPTH]
Cutoff Envelope Att:0 Dcy:24 Stn:55 Rls:33
VCA
via [VCA LEVEL]
1/2:Volume Modulators Src1: Dph1: Src2: Dph2:
2/2:Volume Modulators Mw:0 Vel:0
via [FB BALANCE]
1/2:Pan Modulators Src1: Dph1: Src2: Dph2:
2/2:Pan Modulators Mw:0 Vel:0 Pan:0
via [EG BALANCE]
Volume Envelope Att:0 Dcy:24 Stn:55 Rls:33
Routing Diagram
This is a draft version of a routing diagram of the spectralis signal path.
You may need a special svg viewer for the file like inkscape.
Very special thanks to Lichttank from the spectralis forum for contributing this diagram.
